{"id":1446,"date":"2024-03-12T16:39:53","date_gmt":"2024-03-12T15:39:53","guid":{"rendered":"https:\/\/dig-hum.sjstudios.eu\/?post_type=projekt&#038;p=1446"},"modified":"2024-10-21T11:12:14","modified_gmt":"2024-10-21T09:12:14","slug":"aesthetiken-des-zugangs","status":"publish","type":"projekt","link":"https:\/\/digitalhumanities.de\/en\/projekt\/aesthetiken-des-zugangs\/","title":{"rendered":"\u00c4sthetiken des Zugangs"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>is in die 1990er Jahre war es in der Filmwissenschaft ein Gemeinplatz, dass Frauen in den Anfangsjahren der Filmproduktion nur <\/p>","protected":false},"featured_media":1447,"template":"","fachliche-zuordnung":[108,107],"projektkategorie":[178],"class_list":["post-1446","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","fachliche-zuordnung-filmwissenschaft","fachliche-zuordnung-medienwissenschaft","projektkategorie-digitales-archiv"],"acf":[],"_links":{"self":[{"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/projekt\/1446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/projekt"}],"about":[{"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/types\/projekt"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/media\/1447"}],"wp:attachment":[{"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/media?parent=1446"}],"wp:term":[{"taxonomy":"fachliche-zuordnung","embeddable":true,"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/fachliche-zuordnung?post=1446"},{"taxonomy":"projektkategorie","embeddable":true,"href":"https:\/\/digitalhumanities.de\/en\/wp-json\/wp\/v2\/projektkategorie?post=1446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}